In June 2016, Rihanna released “Sledgehammer” as part of the film soundtrack for Star Trek Beyond. Announced in November 2015, the Anti World Tour was launched in March 2016 in support of the album. In late 2015, Rihanna signed a $25 million deal with Samsung to promote its Galaxy product line, with the company also sponsoring the rollout of her eighth studio album, titled Anti, and its accompanying tour.
- Around this time, Rihanna began listening to reggae artists such as Sizzla and Damien Marley, as well as R&B musicians like Whitney Houston and Mariah Carey.
- On the track “A Place In This World,” a song she wrote when she was just 13, Swift sings about not fitting in and trying to find her path.
- She is also a businesswoman who owns multiple ventures, including the popular cosmetics line Fenty Beauty and the lingerie brand Savage X Fenty.
- Amid smash collabs, Rihanna and Coldplay’s intricate “Princess of China” number gets lost in the shuffle, but it speaks to her charm as it’s the band’s first album (2011’s Mylo Xyloto) to feature another artist.
- The night Red lost the GRAMMY for Album Of The Year in 2014, Swift decided that her next album would be a full-on pop record.
- She’d see visceral images in her mind — from battleships to tree swings to mirrored disco balls — and turned them into stories, sometimes weaving in her own personal narrative throughout, or taking on a narrator role and speaking from the perspective of someone she had never met.
The two officially dated again for a time, with Rihanna maintaining in a Rolling Stone interview that Brown had changed and that any form of abuse would be unacceptable. In 2009, Rihanna was the center of a media firestorm after a domestic violence incident in which her then-boyfriend Chris Brown assaulted her before an awards show. Prior to that, she was in an on-again-off-again romance with longtime collaborator Drake for more than 7 years, starting in 2009. Most notably, she owns the popular cosmetics line Fenty Beauty, which she launched in 2017.
Oldfield was rewarded for helping to scar a generation of moviegoers for life when a condensed version of his eerie masterpiece picked up the Best Instrumental Composition GRAMMY in 1975. And the soul legend further leaned into its supernatural theme in 2013 when he appeared as a witch doctor in a Bud Light Super Bowl commercial soundtracked by the ominous chart-topper. Along with giving GRAMMY gold to the likes of Smashing Pumpkins, Slayer and Vampire Weekend, the Recording Academy has embraced the odd musical spooktacular in several forms. “I have to appreciate ‘Bam Bam.’ I have no problem talking about it because it’s mine. I did the song, so I’m not tired of talking about it. I’m not tired of playing it either,” Sister Nancy says. “Mad Professor is someone I look up to. He’s a genius, and I love working with him,” Sister Nancy adds. She continues to release new music of her own, though she believes in letting projects simmer before embarking on something new.
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- It won Swift’s first Album Of The Year GRAMMY in 2010, at the time making her the youngest person to win the accolade at age 20.
- In support of the album, Rihanna embarked on the worldwide Good Girl Gone Bad Tour in September 2007, performing 80 concerts across five continents.
- When she announced the album, she declared, “And baby, that’s showbiz for you.” No one knows that better than someone who has been through the ringer in the industry like Swift has.
- Her third album, “Good Girl Gone Bad,” marked a significant turning point in her career, showcasing her growth as an artist and solidifying her image as a bold and edgy figure in music.
- In March 2015, Rihanna was announced as a co-owner of the music streaming platform Tidal, alongside several other artists.
- Relocating from her home in Barbados to Connecticut, she stayed with music producer Evan Rogers and his wife.
No longer was she the girl writing songs like “Fifteen” in her bedroom — now she was working through becoming a highly publicized figure. Although Swift’s eponymous debut is underappreciated now — even lacking its own set on Swift’s Eras Tour — Taylor Swift’s forthcoming rerecording is arguably the most anticipated by fans, who are eager to hear the songs with the singer’s current and more refined vocals. The album’s lead single, “Tim McGraw,” an acoustic country ballad inspired by Swift knowing her relationship was going to end, represents an intricate part of Swift’s songwriting process; meticulously picking apart her emotions to better understand them. As a songwriter, Taylor Swift set the tone for what would be expected of her future recordings — all songs were written by her, some solely and others with one or two co-writers.
The album’s first half features strong 1980s pop influences, while the second half leans more toward traditional R&B. Rihanna’s music is primarily R&B and pop singer, and incorporates elements of various genres like dancehall, EDM, and adult contemporary. Rihanna became the first person to headline a Super Bowl halftime show while pregnant, revealing her pregnancy during the performance. The Super Bowl performance earned Rihanna five Primetime Emmy Award nominations, including one for Outstanding Variety Special (Live). In August, she was honoured with the Michael Jackson Video Vanguard Award at the 2016 MTV Video Music Awards, where she performed a series of medleys of her most successful songs. The album was released exclusively on the streaming service Tidal on January 28, 2016.
Speak Now: Proving Her Songwriting Prowess
Swift felt a “quiet conclusion” after finishing up evermore, describing that it was more about grappling with endings of all “sizes and shapes,” and the record represented a chapter closing. “Closure” is a “skittering” track that has the same energy as tracks like Lover’s “I Forgot That You Existed,” whereas the ballad “champagne problems” is thematically reminiscent of Swift’s Speak Now track “Back To December” where she takes responsibility for her lover’s heartache. Folklore’s impact on the zeitgeist at a time where everyone was stuck at home helped shape people’s quarantine experience. She worked remotely with two producers — again working with her right-hand man Jack Antonoff, and first-time collaborator Aaron Dessner from The National.
Seven years into an already extraordinary career, 2012’s Unapologetic became Rihanna’s first album to debut at No. 1 on the all-genre Billboard 200 chart. With this feat, she became the youngest artist to attain the most chart-toppers in a five-year span. That same carefree spirit can be heard in the feminist track “Raining Men,” which features Nicki Minaj — their first of two collabs, as they joined forces again for “Fly,” the final single off the rapper’s iconic Pink Friday album. While “What’s My Name?” may not outshine Rih and Drizzy’s other collabs — including 2011’s “Take Care” or 2016’s “Work” — the second she sings, “Hey, boy, I really wanna see if you can go downtown with a girl like me,” it’s impossible not to whine your waist to the riddim. Through lead single “Russian Roulette” and bitingly catchy anthems “Stupid in Love,” “Fire Bomb,” “Photographs,” “Cold Case Love,” and “The Last Song,” Rihanna explored her angst and confusion. Rihanna was a familiar face by 2007, but with the arrival of her third studio album, Good Girl Gone Bad, she graduated from cookie-cutter pop star to bonafide icon.
She also won her first GRAMMY in 2008 (Best Rap/Sung Collaboration for “Umbrella”) and scored four other nominations, including Record Of The Year. Good Girl Gone Bad remains Rihanna’s best-selling album and marks her greatest reinvention as she adopted a more rebellious sound. The melancholy “Rehab” is a clever metaphor for lost love, co-written by Timbaland and Justin Timberlake. Produced by Tricky Stewart, the LP’s juggernaut lead single “Umbrella” featuring Jay-Z skyrocketed to No. 1 in 17 countries. Her official introduction to the world also hit No. 1 on the Billboard Dance Club Songs chart; she boasts 33 on the tally, second behind only the Queen of Pop herself, Madonna.
Charts
The Western-themed “Desperado” lends itself particularly well to covers by country artists, while the Dido-sampling “Never Ending” conveys the uncertainty she feels about entering a new relationship. Subsequently, Rihanna held the No. 1 spots on the Billboard 200 and Hot 100 simultaneously, her second time achieving such an impressive feat. But the dancehall masterpiece is one of a kind for Rih’s refusal to water down the Jamaican patois (different from her native language of Bajan Creole) — proving that she is fully aware of her impact as one of the biggest Caribbean-born artists to make it in the U.S. ANTI lives up to its name in its first 40 seconds, via opening track “Consideration.” The minute she declares, “I got to do things my own way, darling,” it’s apparent that ANTI is not your average Rihanna album. But that shift began with 2015’s criminally underrated “American Oxygen.” Her most political statement at the time, the goosebump-inducing lyrics detail Rihanna’s journey as an immigrant, foreshadowing her then soon-to-be massive Fenty Beauty success.
She formed a girl group with two classmates; when they were 15 years old, they scored an audition with music producer Evan Rodgers, who was visiting the island with his Barbadian wife. She is also a businesswoman who owns multiple ventures, including the popular cosmetics line Fenty Beauty and the lingerie brand Savage X Fenty. For her work on the single, Rihanna received her first Academy Award nomination, for best betista casino original song. Rihanna began working on a new record, but the project was delayed as she took a break from music.
A$AP Rocky trial brings clashing closing arguments over gun as Rihanna brings tiny sons to court
Throughout The Life of a Showgirl, Swift, Martin and Shellback craft tracks that go beyond what they created with 1989 and reputation. Reuniting with her pop powerhouse collaborators Max Martin and Shellback, who worked on her biggest pop radio hits like “We Are Never Ever Getting Back Together,” “Delicate,” “Blank Space,” and “Shake It Off,” was a return to form after the fog of TTPD. (“And all the headshots on the walls/ Of the dance hall are of the b—es/ Who wish I’d hurry up and die/ But I’m immortal now.”) On “The Life of a Showgirl,” she declares with her fellow showgirl that she isn’t handing over the baton just yet. The showgirl is actually the one in charge (“I was your father figure/ You pulled the wrong trigger/ This empire belongs to me”), alluding to her battle to retain her masters.
Her most conceptual album to date, Midnights charts 13 sleepless nights and explores five themes, from self-hatred and revenge to “what if” fantasies, falling in love, and falling apart. Sonically, evermore is a slight departure from its sister record; where folklore relies on more alt-leaning and indie-tinged sounds, evermore takes the sonics from all of Swift’s past records — from pop to country to indie rock — and features all of them on one album. Some songs, like “peace,” were recorded in just one take, capturing the essence and fragility in the song’s story, whereas the lyrics for the sun-drenched “august” were penned on the spot as Swift was in her makeshift home studio in Los Angeles. Swift described reputation as a bait-and-switch; at their core, the songs are about finding love in the darkest moments.
Acting Career and Appearances
Rihanna, who has not released a full album since 2016’s “Anti,” voices Smurfette in the film. The songstress herself shared a sweet note on Friday, Aug. 29, thanking her fans and those who “gave me a chance over the years.” To celebrate her success in the music business and beyond, Rihanna is releasing “R20” merch and a vinyl album boxed set, which are available for pre-order on her official online store.
Only eight months later, in August 2005, she released her first single, “Pon de Replay,” a reggae-influenced club track that reached No. 2 on the Billboard singles chart and announced Rihanna as the next up-and-coming pop star. Rihanna soon followed with the album A Girl Like Me (2006), featuring the up-tempo club-oriented “S.O.S.” The song, which was built around a sample of Soft Cell’s 1981 new-wave hit “Tainted Love,” became Rihanna’s first to top the Billboard singles chart. Rihanna has fourteen number-one singles on the US Billboard Hot 100 chart, placing her third for the most chart-topping songs in its history. The songs “Man Down”, “California King Bed”, and “Cheers (Drink to That)” were released as singles from Loud in 2011. The project yielded a string of successful songs, including the US number-one singles “Umbrella”, “Take a Bow”, and “Disturbia”.
Rihanna has worked with music video director Anthony Mandler on seventeen music videos, the first being “Unfaithful” (2006). Rihanna was also influenced by artists such as Janet Jackson, Aaliyah, Beyoncé, Celine Dion, Grace Jones, Lil’ Kim, Prince, and Brandy. In her youth, Rihanna often watched Bob Marley on television due to his popularity in the Caribbean. Rihanna identified Brandy’s fourth album, Afrodisiac (2004), as a primary source of inspiration for her album Good Girl Gone Bad. After moving to the US, she was exposed to a wide range of musical genres, which she said had a profound effect on her.
Following the career-pivoting Rated R, 2010’s Loud offered a welcome return to the West Indian artist’s earlier sound. Rated R showcased Rihanna’s undeniable star power, and allowed her to shed her good-girl image once and for all. Badgal RiRi returned to her dancehall roots on her fifth No. 1 “Rude Boy,” which offsets the album’s harrowing motif. The singer had grown in leaps and bounds while taking musical risks, even penning nine of Rated R’s 13 tracks (she had no writing credits on Good Girl Gone Bad). Following three multi-platinum albums in a three-year span, Rihanna’s rebranding as a rebel at heart reached its apex.
Its win for Best Urban Contemporary Album at the 2014 GRAMMYs, however, proved that Rihanna’s reign wasn’t letting up anytime soon. “Mr. Jesus, I’d love to be a queen/ But I’m from the left side of an island/ Never thought this many people would even know my name,” she pleads in the seven-minute two-parter. Her swagger is boisterous in “Phresh Out the Runway,” “Jump,” and strip club anthem “Pour It Up,” but “Nobody’s Business” really drives home the album’s theme of being unbothered. Vocally, Rihanna’s strength lies in her ability to evoke raw emotion à la “Stay.” Featuring Mikky Ekko, the stripped-down, slow-burning piano ballad narrowly missed the top spot on the Hot 100 but gave Rihanna her 24th top 10 hit, surpassing Whitney Houston’s record of 23 in 2013. One of Rihanna’s most precious offerings to date, “Diamonds” emerged as a self-love mantra due to its uplifting “Shine bright like a diamond” chant. Its lead single “Diamonds” resonated in an equally major way, giving Rih her 12th No. 1 on the Hot 100.
And on Aug. 13, she opened up about the concept and creation of the record on her now-fiancé Travis Kelce’s podcast, “New Heights.” To help explain this chapter of her life, Swift brings together a myriad of collaborators — from Stevie Nicks as fellow poetess, to duets with Florence Welch and Post Malone — and leans on real and fictional characters, like Clara Bow, Peter Pan (“Peter”), and Patti Smith. It pokes fun at so-called fans who overstep with her personal life (“But Daddy I Love Him”), says goodbye to a city that gave her a home (“So Long London”), and muses on how her own celebrity has stunted her growth (“Who’s Afraid Of Little Old Me?”). As a result, there had arguably never been more excitement for a Taylor Swift album than for The Tortured Poets Department — especially because the announcement came on the heels of her lucky 13th GRAMMY win in February.
In contrast to the fairytale motifs and happy endings of Fearless, evermore saw Swift become fixated on “unhappy” endings — stories of failed marriages (“happiness”), lifeless relationships (“tolerate it”), and one-time flings (“’tis the damn season”). Like its (literally) folklorian sister, evermore was a surprise release at the end of 2020, marking the first time Swift didn’t have distinct “eras” between albums. It was exciting enough for Swifties to experience one surprise album drop from Swift, an artist who typically has an entire album campaign calculated. At the 2021 GRAMMYs, folklore took home Album Of The Year, making her the fourth artist in history to win three times in the Category. After its release, folklore became the best-selling album of 2020 after selling 1.2 million records. Lover became Swift’s sixth No. 1 album in America, making her the first female artist to achieve the feat.
The record also featured the popular power ballad “Unfaithful,” as well as singles “We Ride” and “Break It Off.” The album debuted at No. 5 on the Billboard 200 chart and earned her first No. 1 hit with the catchy pop single “SOS,” which spent three weeks atop Billboard’s Hot 100. In 2008, Rihanna topped the chart three times, twice with her own songs “Disturbia” and “Take a Bow,” plus a feature on T.I.’s “Live Your Life.” She has also earned nine number-one songs on the UK Singles Chart and ranks second to the Beatles for the most million-selling singles in the country. This made her the artist with the most digital single awards and the first performer to exceed RIAA’s 100 million cumulative singles certification threshold. With estimated worldwide sales exceeding 250 million records as of 2023, Rihanna is one of the best-selling music artists of all time.
